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Mixing engineer Chris Gibbs on The Kid Laroi’s ‘F*ck Love’.
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FrEQy Friday for EQ Plug

Empirical Labs announces BIG FrEQ 1.0; a software EP character based on their Lil FreQ hardware EQ versatile, flexible and fun to use

By

October 26, 2020

With 12 powerful sections of processing to its appropriate appellation, BIG FrEQ should single-handedly handle all tonal and spectral-shaping needs for single tracks, as well as busses, including use as a versatile mastering tool. As always, ELI itself strives to bring new functionality and creative twists to plug-in EQs with its first such release, aiming to make this plug easy to learn and plain fun to use.

But best of all, BIG FrEQ is immensely useful, obviously, offering the ability to create modern ‘flat-top’ EQ curves with an analog workflow and added controls for more tone-shaping possibilities than a typical EQ plug-in. 

Each of the six parametric bands has an additional Slope control that allows for flattening out the EQ shape and grabbing more frequencies equally, while switching on the focus function lets users fine tune frequency adjustment — centring the selected frequency and reducing the range of the Freq (frequency) knob — to hear exactly what frequencies are being affected with the simultaneously switchable solo (S) buttons available on each parametric band. 

Each parametric section’s Gain knob can be expanded from ±15dB to ±30dB with the range button, while parametric section settings can uniquely be copied and pasted from one to another for quickly moving and duplicating bands, facilitating faster operation. On top of that, the unique Finisher section adds warmth to any track with organic saturation and provides for up to 8x oversampling (tested up to 768 kHz operation).

Hi Pass and Lo Pass filters with adjustable Q and selectable filter orders from 6dB to 96dB (per octave); Lo Shelf — smooth bass boost or cut, centreed around 120 Hz — and complimentary Hi Shelf controls; Width slider — controls bandwidth or, inversely, Q; and master Phase switch — inverts the phase of the audio.

Additionally, a modern spectral display shows cumulative EQ shape as well as coloured individual bands, while the built-in preset management system (with proprietary preset format for cross-DAW preset access), smooth automation of all parameters, available direct entry for all parameters (by double-clicking on any parameter to type in a value), un-linkable stereo version for dual mono operation, and an ability to bypass any section (to monitor changes and free up processing) rounds out BIG FrEQ’s fattened features.

CONTACT

Empirical Labs: www.empiricallabs.com
Australian Distributor: www.audiochocolate.com.au
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Mixing Kid
Mixing engineer Chris Gibbs on The Kid Laroi’s ‘F*ck Love’.
READ ONLINE NOW
Online
Issue 70